“B” for Bordados: An Exhibition of Embroidered Textiles from Mexico. Rebecca Devaney, MFA Textile Art and Artefact, National College of Art and Design, Dublin. Student in Haute-Couture Embroidery, Ecole Lesage, Paris.

Casta painting, De albarasado y mestiza, barsino, Miguel Cabrera, 1763, oïl on canvas, 131 cm x 103 cm. Madrid, Museo de América, Inv 00009.
Detail of European needlework technique introduced in the 18th century, Cecilia Mundo Rincon, Chiapa de Corzo, Chiapas. Image copyright Rebecca Devaney.

When the Europeans arrived to Mexico in the 16th century, textiles was a highly developed and mastered craft amongst the indigenous people. Spinning and weaving were integral parts of daily life for girls and women and in the indigenous cosmovision textiles were protected by goddesses; the Aztecs revered Xochiquetzal, who was said to be the first to spin and weave thread on a backstrap loom and the Mayas believed that the Moon Goddess Ixchel was the patron of spinning and her daughter, Ichebelyax was the patroness of embroidery. Continue reading “B” for Bordados: An Exhibition of Embroidered Textiles from Mexico. Rebecca Devaney, MFA Textile Art and Artefact, National College of Art and Design, Dublin. Student in Haute-Couture Embroidery, Ecole Lesage, Paris.